A Comment on “Side Man” — A Theatre Review

In early ’02 I had the chance to see, here in Tulsa, Warren Leight’s excellent play, Side Man (1998), whose themes include 1) the decline of jazz performance as a profession, and 2) when the stable household is naught but a ghost.

Trumpet player Gene moves in with and, after getting her pregnant, marries naive, sensitive, foul-mouthed Terry, but can only handle the horn not the marriage.  This is all recalled in memory-play form by the couple’s 29-year-old son Clifford, bruised and surviving, and still loving his parents.  Like his much featured bandmates, Gene cannot cope with ordinary social life:  As playwright Leight points out, he “exists in sort of a bubble.  When the conversation isn’t about music, he’s elsewhere; even if he’s talking to you.”  Perennially the side man is on the side.

As for Terry, she gradually becomes a lost boozer and shrew (“I’ve been dead for thirty years”), an inconsolable wreck.  Half out of her mind, she whines at one point about wanting to join a convent in Montana or Minnesota, which is interesting.  Surely she sees a convent as an inviting antithesis to all she has known, as a place of order and wholeness. 

Side Man isn’t chary about showing us the lesions of life.  The side men-musicians besides Gene have them too:  Jonesy is a drug addict who gets three of his teeth broken, Al suffers a mini-stroke.  The good times inevitably pass in this spiky, honest, and nicely structured play which I was fortunate to see in a successful production.

SideMan by Warren Leight - November 2009

SideMan by Warren Leight – November 2009 (Photo credit: Dragon Productions Theatre Company)

Wassup?

It's Do-Follow. Feel free to use your kewyword. If ya spam it. I'll probably can it. You dig?

Advertisments
Back in The Day
Wassup
Welcome to my personal playground where I rant about, well, EVERYTHING. Feel free to connect with me on any of the major networking sites. I'm a friendly guy! Ya dig?
Tip Jar :)
Buy me a cup of coffee :)
Text Ad’s!