Charlotte And All Those Trivialities: Godard’s “A Married Woman”

The 1964 Jean-Luc Godard film, A Married Woman, held my attention for about an hour of its 94 minutes but then became dreadfully dull.  The very pretty Macha Meril enacts Charlotte, who spends quality time with both husband and lover but lacks a veritable devotion to either.

The most interesting thing about the film is the Village Voice review it inspired after being re-released this month in New York.  To Godard, asserts Calum Marsh, “A sort of mass delusion . . . had begun to seize the young [in Europe], manifesting itself in historical ignorance and prevailing trivialities like TV and fashion magazines”—and thematically this is what A Married Woman is about.  I respect this, and I respect that Godard’s visual poetry, though sometimes too obvious in its meaning, frequently hits the mark.  But a relatively short picture shouldn’t be this talky, shouldn’t be a slog.

(In French with English subtitles)

Cover of "Une Femme Mariee"

Cover of Une Femme Mariee

Wassup?

It's Do-Follow. Feel free to use your kewyword. If ya spam it. I'll probably can it. You dig?

Advertisments
Back in The Day
Wassup
Welcome to my personal playground where I rant about, well, EVERYTHING. Feel free to connect with me on any of the major networking sites. I'm a friendly guy! Ya dig?
Tip Jar :)
Buy me a cup of coffee :)
Text Ad’s!