Blog

These stories have been around a long time. Some of them I have updated. Many of them I haven’t. This started out when blogs were like, new! 

“Seabiscuit”: Dubya-Era?

Seabiscuit was a famous and outstanding racehorse of yesteryear.  Seabiscuit the movie (2003) is, in my opinion, a superficial, pedestrian bore.  So horse trainer Chris Cooper thinks would-be jockey Tobey Maguire might be able to handle feisty Seabiscuit because...

Re Doug McGrath’s “Nicholas Nickleby” Movie

I doubt that this is Charles Dickens' Nicholas Nickleby, but I can't say since I've never read the novel.  On its own, however, Douglas McGrath's film is palatable and admirably directed.  Nearly as dandy as the mature dialogue is Rachel Portman's soothing score and...

“Amelie,” I’m Not a Fan

The French Amelie (2000), a monster hit in the country of its origin, is as offputting as it is enchanting.  Winsome Audrey Tautou enacts an intensely shy, peculiar do-gooder of sorts who falls hard for a solitary fellow employed at a porn shop. "Am I the only one who...

“Iron Man 3”: Semi-Comedy

For a man who has threatened a major-league terrorist, Tony Stark---a.k.a. Iron Man---certainly leaves his house unprepared for the savage aerial attack that constitutes Iron Man 3's first large-scale action sequence.  Where are the robotic guns?  It should be...

Flash Luhrmann’s—I Mean Baz Luhrmann’s—“The Great Gatsby”

I said below that Chinatown is the 1970s' 1937.  The Australian director Baz Luhrmann's The Great Gatsby (2013) is not 2013's 1922.  It's fantasyland's 1922, with its hyperbright visuals, formidable set design, quicksilver editing, etc.  It's a pretty pleasurable trip...

Polanski’s Grim “Chinatown”

Chinatown (1974) is a genuinely great pop movie, film noir par excellence. This is the 1970s' 1937, and how interesting it is!  True, the film's ending is too grim and ugly, but it serves to remind us that the world of crime is more horrifying than noir was ever...

Taking a Dip in “The Deep Blue Sea” (Davies’ Movie)

Directed and scripted by Terence Davies, The Deep Blue Sea (2012), based on Terence Rattigan's 1952 play, is a thematically rich enterprise about a woman who leaves her older husband for another man, only to be rejected by him after the woman's failed suicide attempt....

A Comment on “Side Man” — A Theatre Review

In early '02 I had the chance to see, here in Tulsa, Warren Leight's excellent play, Side Man (1998), whose themes include 1) the decline of jazz performance as a profession, and 2) when the stable household is naught but a ghost. Trumpet player Gene moves in with...

Old Days