I simply do not like the films of Nicolas Roeg.
Don’t Look Now (1973) is a fancy, fatuous occult-heavy—and thus supernatural—thriller. Hitchcock’s scary Frenzy, which came out close to the same time as Roeg’s movie, is offensively misogynistic, but at least it relates a sensible story. Don’t Look Now is an infernally messy puzzler.
Hilary Mason, as a psychic named Heather, is wonderful in the film, and so is Clelia Matania as her sister. They deserve a better movie—but then, so does almost everyone else in the film’s cast.